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Read online Lipstick Traces (Folio Actuel) (French Edition).pdf PDF, EPUB, MOBI, TXT, DOC Lipstick Traces (Folio Actuel) (French Edition) No description available by Greil Marcus

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Lipstick Traces (Folio Actuel) (French Edition)
Title:Lipstick Traces (Folio Actuel) (French Edition)
Format Type:eBook PDF / e-Pub
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Category:Music, History, Non fiction, Art, Philosophy, Punk
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The Doors: A Lifetime of Listening to Five Mean Years, Mystery Train: Images of America in Rock 'n' Roll, Ranters and Crowd Pleasers: Punk in Pop Music, 1977-1992, The Old, Weird America: The World of Bob Dylan's Basement Tapes, When That Rough God Goes Riding: Listening to Van Morrison, Like a Rolling Stone: Bob Dylan at the Crossroads, Lipstick Traces: A Secret History of the Twentieth Century, Stranded: Rock and Roll for a Desert Island, The History of Rock 'n' Roll in Ten Songs, A New Literary History of America
This is a secret history of modern times told by way of what conventional history tries to exclude Lipstick Traces tells a story as disruptive and compelling as the century itself Hip metaphorical and allusive Gail Caldwell Boston Sunday Globe Full color illustrations and halftones, When it was first published critic after critic called this brilliant study of rock n roll and American culture the best book on the subject Now firmly established as a classic the fourth edition features a completely new introduction as well as an entirely updated discography that includes CDs for the first time, div Previously published as i Invisible Republic i and already considered a classic of modern American cultural criticism i i i The Old Weird America i is Greil Marcus s widely acclaimed book on the secret music the so called Basement Tapes made by Bob Dylan and the Band while in seclusion in Woodstock New York in a folksy yet funky furious yet hilarious music that remains as seductive and baffling today as it was more than thirty years ago br br As Mark Sinker observed in i The Wire i Marcus s contention is that there can be found in American folk a community as deep as electric as perverse and as conflicted as all America and that the songs Dylan recorded out of the public eye in a basement in Woodstock are where that community as a whole gets to speak But the country mapped out in this book as Bruce Shapiro wrote in i The Nation i is not Woody Guthrie s land for made for you and me It s what Marcus calls the old weird America This odd terrain this strange yet familiar backdrop to our common cultural history which Luc Sante in i New York i magazine termed the playground of God Satan tricksters Puritans confidence men illuminati braggarts preachers anonymous poets of all stripes is the territory that Marcus has discovered in Dylan s most mysterious music And his analysis of that territory reads like a thriller Ken Tucker i Entertainment Weekly i and exhibits a mad sparkling brilliance David Remnick i The New Yorker i throughout This new edition of i The Old Weird America i includes an updated discography br div, b One of our finest critics gives us an altogether original history of rock n roll b br br Unlike all previous versions of rock n roll history this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows Instead in a daring stroke Greil Marcus selects ten songs recorded between and then proceeds to dramatize how each embodies rock n roll as a thing in itself in the story it tells inhabits and acts out a new language something new under the sun br br Transmission by Joy Division All I Could Do Was Cry by Etta James and then Beyonc To Know Him Is to Love Him first by the Teddy Bears and almost half a century later by Amy Winehouse In Marcus s hands these and other songs tell the story of the music which is at bottom the story of the desire for freedom in all its unruly and liberating glory Slipping the constraints of chronology Marcus braids together past and present holding up to the light the ways that these striking songs fall through time and circumstance gaining momentum and meaning astonishing us by upending our presumptions and prejudices This book by a founder of contemporary rock criticism and its most gifted and incisive practitioner is destined to become an enduring classic